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Living In Las Cruces- Spring/Summer 2008
LOCAL HERO
By Charlotte Tallman
Photography by Bill Faulkner
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The story of Michelle taking that first
step toward becoming an innovative musician started
when her grandfather bought her a guitar 30
years ago when she was five years old. From there,
she began to absorb the very core of music. She listened
deeply, heard what was played, then made it
better. As she grew older, she moved from strumming
a few chords on her guitar to diving deeper
into music, instruments and cultures.
"I've always been interested in world music and the
instruments," says Michelle, who writes the majority
of the music she plays. "A lot of the instruments from
Africa and India are reminiscent of guitars. I started
getting into the history of those instruments and playing
that type of guitar."
While Michelle plays, and teaches with, a wide variety
of guitars, including standard six string electric
and acoustic guitars, there is one that is as unique as
the music she creates -- a 14-string fretless (which provides
a wider variety of tones than fretted) guitar. The
14-string guitar was designed by Michelle, then made
by Kevin Siebold. Michelle first read about a fretless
guitar, again coming from Indian, African and early
European instruments, in an article and wanted to
"play them in a contemporary way."
"It was very hard to get a hold of a fretless guitar, so
I went about my standard guitar studies and didn't
think much about it," Michelle says, but eventually
desire proved to be stronger than availability. "I
decided to de-fret one of my own guitars about five
years ago. It became one of my favorite guitars."
On a weekend, you are likely to find Michelle playing
one of her guitars at the Mix Pacific Rim Cuisine
or St. Clair Bistro, where she creates a mixture of
adventurous meets experimental jazz with drummer
and percussionist Joe Seltzer, or at times, Dereck Lee.
When she is not a part of local gigs, she is traveling
with Joe and their group, Marla Singer, to such cities
as Washington, D.C., New York and Colorado
Springs. At times she also gigs solo shows in the Bay
Area or Los Angeles. Most recently, Michelle joined
together with local poet, Zulu, to create a guitar poetry
slam, they call Slan.
Originally from Jersey City, New Jersey, Michelle
spent one-and-a-half years writing music for
AOL/Time Warner in California before bringing her
talents to Las Cruces. Since living in Las Cruces,
Michelle has worked on three original scores for
movies, including Ken Forestal's Hospice (in which
she also did the sound design for the movie), Michael
Torrez's Silent Movie and Mark Medoff's One Hundred
MPG.
Michelle also teaches guitar lessons to students from
ages eight to 72, something she started in college 13
years ago as a way to supplement her income.
Michelle, humble as she is when you engage in a conversation
with her on the topic of her creativity, won't
go unnoticed regarding her talent, in this community,
or across the nation. New York photographer
Ralph Gibson will include Michelle in his upcoming
book, The State of the Axe, in a celebratory pictorial of
musicians with their finest partners -- their guitars.
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